I welcome ideas to supervise projects that relate to or overlap with my research fields in interesting ways. My secondary research interest centers on contemporary Latin American film, particularly in a post s context. The Dissertation also provides invaluable practice for those of you who plan to progress to postgraduate study. On Research Leave , not available for Dissertation supervision My research focuses on eighteenth-century French theatre and libertine writings. During your studies in years 1 and 2 you will have been working with diverse and novel ways of approaching a range of subjects and issues, and will have seen that your tutors are setting out advanced intellectual agendas across many periods, cultures, and disciplines.
My research interests lie in sixteenth- and seventeenth-century French and comparative literature. Check the pre-requisites and co-requisites for the Dissertation in the relevant module outline in the Faculty Handbook. Their role will be to guide and nurture your research ideas by recommending areas in which you should target your reading. I would be happy to supervise dissertations focusing on many authors, topics and themes, or comparative projects in the broad fields of contemporary literature and culture. I will consider supervising comparative work across French and Russian, depending on the topic. In Epiphany, you will submit extracts from your dissertation for formative feedback, which your supervisor will provide orally and in writing.
A total of words of material extracted from the dissertation to be submitted for formative assessment at times to be agreed with the supervisor. I am currently developing my research interests in modernity and visual culture in a new context, connecting them to the emerging field of the energy humanities, with a specific focus on theoretical and cultural approaches to oil and its relation to cultural memory.
In recent times, I have also developed an interest in the legacy of Rome as the global capital of the arts, with a particular focus on the worldwide dissemination of nineteenth-century Christian imagery through art, literature and silent cinema. Previous supervision topics have included: I would especially look forward to supervising dissertation projects that in some way take their cue from undergraduate modules I have taught: Italian Professor Charles Burdett.
I also have a long-standing interest in the twentieth century critical theory, where my specific interests are the Bakhtin studies and Russian Formalism. Students must submit the online dissertation proposal form by a deadline towards the end of Easter term.
School of Modern Languages & Cultures : Study and Assessment – Durham University
I am interested in sociological approaches to literature or film and its relation to historical, political, and philosophical questions. My dussertation focuses on medieval French, Franco-Italian and Occitan literature, with particular interest in modern theoretical readings of medieval texts using psychoanalysis, anthropology, postcolonial theory and political theory especiallyas well as medieval translation and medieval politics.
In much of my work, I seek to engage with approaches that theorise the relation between culture and ecology.
I am also interested in the relationship between literature and visual and popular culture in the nineteenth century pantomime, circus, posters. I would also consider supervising topics relating to contemporary politics or to the history of French philosophy and political theory, including in relation to literature and film.
Archive Module Description
My research is on nineteenth and twentieth century German and Austrian visual culture, literature and thought, with a particular interest in the early twentieth century. Previously supervised dissertation topics include the neorealist writings of Calvino and Fenoglio, the fairy tale in late dufham century literature, Dantean echoes in Fellini’s Rome, Elfriede Jelinek’s portrayal of motherhood and female-authored texts in the twentieth century and the contemporary era.
Previous dissertations have focused on museum studies, contemporary art practice, photographic theory, critical theory, urban history and culture, film studies, cultural sociology, and cultures of energy.
My research interests include eighteenth- early nineteenth- and early twentieth-century Russian literature and cultural history, cultural semiotics, history of cultural import, material culture and gender studies. In Epiphany, you will submit extracts from your dissertation for formative feedback, which your supervisor will provide orally and in writing.
My second research area is cinema: Students who are studying one language at Level 3 of the BA in MLAC must do the credit Dissertation; those doing two languages may choose between credit and credit.
I work on early Spanish literature and art, and am able to supervise a range of literary topics, as well as art historical projects that focus on European production more broadly. Normal procedures for the submission of summative coursework apply, including those referring to applications for extensions – which can only be approved by the Chair of the Board of Examiners.
Further details of what these might look like are outlined in the dissertation handbook, available on DUO. My final year module not available in is Tilting at Windmills: I am happy to continue supervising dissertations in any area of medieval and early modern Italian literature — including comparative projects on different Romance languages —, visual culture, Italian 20th-century literary culture.
My specific research interest is in the representation of the body and how it signifies, particularly when its borders are transformed or broken.
You will also need to highlight any potential ethical issues posed by your research. Disserttion final-year module is Anthropocene Animals: I would particularly welcome projects that explore texts of the democratic period, but I would consider earlier twentieth-century visual materials if relevant to my field fissertation study. You will be responsible for keeping a written record of each supervision meeting, to be sent to your supervisor for further comment.
I have supervised dissertations on a range of mmlac including pornography and political pamphlets; monstrosity in the seventeenth century; making a career as an actress in the eighteenth century; drag in early modern France; prostitution in eighteenth-century Paris; and Racine and mythology.
My final-year module is Epic and Chronicle: My final-year module not available in is From the Middle Ages to Modernity: I also welcome uuni projects that focus on eighteenth-century French and Russian cultures, and early nineteenth- and early twentieth century English and Russian literature. Students who fail to attend these activities, or to complete the summative or formative assessment specified above, will be subject to the procedures defined in the University’s General Regulation V, and may be required to leave the University.