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The personal camera : subjective cinema and the essay film – Ghent University Library

The essay film, together with its cognate forms – the diary, the travelogue, the notebook and the self-portrait – is cinema in the first person. Tags What are tags?

laura rascaroli the personal camera subjective cinema and the essay film

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Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. Would you like to tell us about a anv price? Add a review and share your thoughts with other readers. Wallflower Press October 13, Language: Amazon Advertising Find, attract, and engage customers.

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laura rascaroli the personal camera subjective cinema and the essay film

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Review quote Comprehensive, insightful, richly detailed, and passionately argued Your request to send this item has been completed. These 19 locations in All: Summary “The Personal Camera is an exploration of an elusive but increasingly compelling subjctive Wallflower Press- Performing Arts – pages.

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The Personal Camera: Subjective Cinema and the Essay Film – Laura Rascaroli – Google Books

Postmodern Travel and the European Road Movie Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. Search WorldCat Find items in libraries near you. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avantgarde and political filmmaking, and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression.

Aleksandr Sokurov’s Spiritual Voices and the feeling of time — The notebook film:

laura rascaroli the personal camera subjective cinema and the essay film